Roof of Hafez's Tomb

Roof of Hafez's Tomb
Showing posts with label Contemporary Iran. Show all posts
Showing posts with label Contemporary Iran. Show all posts

Sunday, May 11, 2014

Picturing Shi'ism

Now that I have finally finished a very busy semester, I can start blogging again! Don't worry-- I haven't stopped immersing myself in all things Persian :) As a final project for a class about Shi'ism, I recently wrote a paper about popular devotional art from Iran and Iraq. I came into this class with a basic knowledge about Shi'ism but as I began collecting images of religious posters, banners, and internet imagery I started to understand the significant emotional dimensions of Shi'ism and how visualization stands at the very core of it. Contrary to popular belief that Muslims don't "like" figural imagery, Shi'ism has always embraced it and has popularized it to such an extent that it has become its own visual vocabulary. Every Shi'ite knows the iconic face of Imam Hussein-- his determined expression and piercing eyes in portraiture or his arrow-riddled body in combat-illustration. He was the hero-martyr in what was the most defining moment in Shi'ism-- the Battle of Karbala in the deserts of Iraq where the Prophet Muhammad's descendants were brutally murdered by the army of Yazid or taken captive. The Day of Ashura commemorates this event and people often carry posters of Hussein, Imam Ali (the cousin of the Prophet), or the 12 Imams in processions. South Asia has also had a rich tradition of Shi'ite devotional art-- depicting Hussein's horse Zoljaneh and the hand of Fatima (the daughter of the Prophet). Posters like these are very instrumental as they help create a collective memory and identity for Shi'ites as well as capture the idealized personas of the Holy family to inspire emulation among devotees. I know I was totally captivated!  

An old painting of the Battle of Karbala from Qajar Iran 

(left) Portrait of Imam Ali and his sword, (middle) Imam Hussein, Abbas, Zayneb and Ali Asghar the martyred infant, (right) Imam Hussein

Two posters of Imam Hussein in the Battle of Karbala

Imam Hussein, Imam Ali, and Abbas with the 12 Imams below including the Mahdi (the Imam in occultation) at the far left with a ray of light as his face--yet to be seen.

Two posters of Zoljaneh (Imam Hussein's white stallion), another illustration of the 12 Imams, and a photo of boys in Iraq holding a poster with Hussein and Ali

(clockwise) poster of Imam Ali in Iraq, a poster from India of a young boy and girl reading the Quran, the Battle of Karbala--its martyrs are depicted as roses, and Buraq (the Prophet Muhammad's holy steed that flies to heaven) 

A collage of Imam Ali portraits from the Internet

Islamic talisman from South Asia with the names of Ali, Fatima, Hassan, and Hussein in the stars.The hand in the middle has the names of the 12 Imams written in its palm. 

Monday, January 14, 2013

Winter in Iran

Some people are surprised to learn that it snows in Iran. It certainly does! :) Especially in Tehran and in the mountains. Here are some photos of winter in Iran:







Saturday, December 8, 2012

Paradise Lost

As a final presentation for my Persian language course, I recently made a PowerPoint about Iran's diverse geography and landscape. I used several images from one of my favorite photography books-- Paradise Lost: Persia from Above by Georg Gerster. Between 1976 and 1978 (right before the Islamic revolution) Gerster was granted rare permission from Queen Farah Pahlavi to record the landscapes and cities of Persia through aerial photography. My favorite photos are those of old citadels and oases irrigated through qanats (see the last image). The title suggests that 'paradise' is lost because since 1979 no one has been able to document Iran's geography this thoroughly-- in fact, the only aerial imagery we see today from Iran are poor-quality photos of nuclear facilities. Several of Gerster's images also document many places that have been destroyed by earthquakes since the 70s-- making Gerster's project even more valuable. Highly recommended for anyone interested in Iranian history, agriculture, and art.

The word 'paradise' is derived from the the ancient Iranian word--'paridayda' in Old Persian (rendered 'parádeisos' in Ancient Greek) which was meant to describe an oasis or cultivated area. The ability to channel water into the deserts was indeed one of the most transformative engineering feats of ancient Iranians and was deemed sacred. The ancient gardens of Cyrus the Great were therefore called 'paridayda'. 

Monday, November 12, 2012

Graphic Art & Posters

Iran has produced many talented graphic designers and typographers in recent years. Back in September, the New York Times featured an article on some of the most prominent artists in this field including--Homa Delvaray and Iman Raad. Iranian graphic designers are incredibly innovative with the Farsi script--here is a sampling of some contemporary posters, book covers, and experiments in typography: 

Love

For more international graphic art:  Rene Wanner's Website